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Schubert Club Courtroom Concert - February 6, 2020

by Michael Maiorana

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1.
Introduction 03:47
2.
Pollen 05:31
Pollen by Sandra Marchetti Droplets. Clumping molecules. Leaves' breaths on the backs of cars that only through water were— and then were only ever particular ghosts— a neon peridot. The pollen falls around, pushes back through nostrils, sifts in lashes, lands in beds under eyelids. We pull our eyelids at their sheeted corners, as if to press the eye all the more toward the bloom, the dusty after-center of nature's first derivation.
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Render, Render by Thomas Lux Boil it down: feet, skin, gristle, bones, vertebrae, heart muscle, boil it down, skim, and boil again, dreams, history, add them and boil again, boil and skim in closed cauldrons, boil your horse, his hooves, the runned-over dog you loved, the girl by the pencil sharpener who looked at you, looked away, boil that for hours, render it down, take more from the top as more settles to the bottom, the heavier, the denser, throw in ache and sperm, and a bead of sweat that slid from your armpit to your waist as you sat stiff-backed before a test, turn up the fire, boil and skim, boil some more, add a fever and the virus that blinded an eye, now’s the time to add guilt and fear, throw logs on the fire, coal, gasoline, throw two goldfish in the pot (their swim bladders used for “clearing”), boil and boil, render it down and distill, concentrate that for which there is no other use at all, boil it down, down, then stir it with rosewater, that which is now one dense, fatty, scented red essence which you smear on your lips and go forth to plant as many kisses upon the world as the world can bear!
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The Tempest Act III Scene II by William Shakespeare CALIBAN: Be not afeard; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometime voices That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that, when I waked, I cried to dream again.
7.
Monadnock in Early Spring by Amy Lowell Cloud-topped and splendid, dominating all The little lesser hills which compass thee, Thou standest, bright with April’s buoyancy, Yet holding Winter in some shaded wall Of stern, steep rock; and startled by the call Of Spring, thy trees flush with expectancy And cast a cloud of crimson, silently, Above thy snowy crevices where fall Pale shrivelled oak leaves, while the snow beneath Melts at their phantom touch. Another year Is quick with import. Such each year has been. Unmoved thou watchest all, and all bequeath Some jewel to thy diadem of power, Thou pledge of greater majesty unseen.
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about

Music composed by Michael Maiorana
Performed by Aliro Voices and Chione
alirovoices.org
chionequintet.com
Hosted by Abbie Betinis abbiebetinis.com
Programmed, hosted, and recorded by Schubert Club schubert.org

February 6, 2020, Landmark Center, St. Paul MN


Aliro Voices:
Kurt Hattenberger, Director
Sunita Chepuri, Soprano
Regina Stroncek, Soprano
Claire Frechette, Soprano
Abigail Daum, Alto
Becca Tobin, Alto
Kelsey Forman, Alto
Ian A. Cook, Tenor
Noah Gavil, Tenor
Michael Maiorana, Tenor
Michael Betz, Bass
Jonathan Harms, Bass
Dan Wanamaker, Bass
Maxwell R. Lafontant, Bass

Pollen - setting Pollen by Sandra Marchetti (solo by Regina Stroncek)
Boil it Down! - setting Render, Render by Thomas Lux
Be Not Afeard (world premiere) - setting a speech from The Tempest, by William Shakespeare
The Call of Spring - setting Monadnock in Early Spring, by Amy Lowell (solo by Becca Tobin)


Chione:
Alexandra Berndt, bassoon
Bethany Gonella, flute
Susan Miranda, oboe
Weily Grina-Shay, clarinet
Allison Akins, horn

Pillars of Air and Light (world premiere)
I. Forest I
II. Baum
III. Bos
IV. Bomen
V. Forest II


The first set of four unaccompanied choral pieces are about nature and inspiration.  Pollen explores the contradictory ubiquity and impermanence of both nature and inspiration.  Boil it Down! sets a particularly visceral ars poetica, a poem about the making of poetry (or any art).  Be Not Afeard deals with the impermanence of inspiration. In The Call of Spring, the natural imagery brings to mind ideas of seasons and cycles of nature, the permanence of that cycle, and goes on to evoke ideas of memory and what we hold inside ourselves versus what we share with others. 

Pillars of Air and Light is based on five paintings of trees by Dutch artist Jacoba van Heemskerck (1876-1923).  The paintings give an impression of fluidity while seeming almost rigidly geometric, and the constraints of the lines and the intuitiveness of their implementation inspired much of the music.  I tried to evoke these ideas of structure and play, along with the mixed sense of contemplation and exuberance I get from spending the day in a forest.

credits

released February 29, 2020

www.maioranamusic.com

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Michael Maiorana Minneapolis, Minnesota

Michael Maiorana is a composer living in Minneapolis. After graduating from Grinnell College, he studied composition and counterpoint at the European American Musical Alliance in Paris. Recent projects include a choral setting of a speech by WPA director Harry Hopkins, a set of wind quintet pieces inspired by paintings of trees, and a set of short pieces for bass guitar, loop pedal, and video. ... more

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